Superfun bouncy groovefest
by Goredough on 10/4/24Orpheum Theatre - VancouverAs the title says it was superfun bouncy groovefest!
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Santigold is a genre-defying musician, style renegade, and visionary artist across multiple platforms celebrated for her fearless ability to fuse unexpected elements into bold new work. An artist whose perseverance relies on invention, her singular aesthetic has made her a major muse watched by the inspired world.
In the four years since Santigold's incendiary I Don't Want: The Gold Fire Sessions mixtape which was acclaimed for its adventurous experimentation with Afro-Caribbean rhythms, she provided backing vocals for several songs on Tyler, the Creator's, Igor, as well as collaborating on his Grinch-Inspired Christmas song, "Lights On". She has also released tracks with DJ Mehdi and Busy P, and the groundbreaking and foundational reggae pioneer, U-Roy, on a cover of the classic "Man Next Door" from what became his final album.
Santigold's albums are entire worlds meticulously built, brick by brick, by a master architect who incisively speaks to the present while shaping the future. Her fourth album Spirituals captures the feeling of surviving in the modern world while elevating yourself to new places. "This record is about the multidimensionality of being--transformation, transcendence, and evolution," she says. "In struggle, we see parts of ourselves that we don't necessarily see in other times. For those of us who were willing to take a look, there was a lot of opportunity in the past couple of years to really evolve, and this record was about me showing up to do that."
Spirituals is Santigold's first full-length album since 2016's 99ï¿ , and was mostly recorded during the 2020 lockdown. "All of a sudden there I was with three small children out of school--just-turned-two-year-old twins and a six-year-old--I was cooking, cleaning, doing laundry and changing diapers from morning to night, with three little kids coming in and out of my bed throughout each night like musical chairs. I was losing touch with the artist me, stuck in a part of myself that was too small. I felt the other parts of me were shrinking, disappearing."
Santigold struggled but succeeded in defining a space in which she could center herself and collaborate virtually with producers and contributors: Rostam, Boys Noize, Dre Skull, P2J, Nick Zinner, SBTRKT, JakeOne, Illangelo, Doc McKinney, Psymun, Ricky Blaze, Lido, Ray Brady, and Ryan Olson. "Recording this album was a way back to myself after being stuck in survival mode. It wasn't until I made the space to create that I realized I wasn't only creating music but a lifeline," she says. California was on fire, we were hiding from a plague, the social justice protests were unfolding. "I'd never written lyrics faster in my life. After having total writer's block, they started pouring out." "I decided to create the future, to look towards where we are going, to create beauty and pull towards that beauty. I need that for myself, but it's also there for whoever else needs it."
"I loved the idea of calling it Spirituals because it touched on the idea of Negro spirituals, which were songs that served the purpose of getting Black people through the un-get-throughable," she continues. "In the absence of physical freedom, spirituals have traditionally been music whose sound and physical performance allow its participants to feel transcendental freedom in the moment. That's what this record did for me."
Renowned for her iconography, Santigold has collaborated with visual artists including Kehinde Wiley, Wangechi Mutu, Kara Walker, and Sanford Biggers. She has also done various brand collaborations for shoe, accessory, and cosmetics lines, as well as had comedic roles on The Office, and Adult Swim's NTSF:SD:SUV.
Since her last full-length release, Santigold has also engaged new ways to express and release her ideas, allowing her greater range to be even truer to her creative intentions on her own terms. She created Spirituals as a multisensory experience that includes not only the music and video vignettes, but new ways of sharing her visual art, a forthcoming natural skincare line, and a tea; the products bearing the same brand name, Spirituals. She will also be releasing a new podcast in which she interviews other artists and visionaries around some of the same themes explored in her music. Santigold has other literary, film and product lines in the works as well."I want to continue branching out into all forms of art," she says. "And I'm really excited to let my music take me to new places."
While taking yourself to new places is core to her outlook at this point in her impressive career, she has always been an artist who has charted new paths in the world of pop music and beyond, breaking down barriers of genre along the way, further cementing her as an essential artist when surveying the last two decades of popular culture at large.
As the title says it was superfun bouncy groovefest!
Our son turned us on to Santigold about 2-3 years ago and my wife has been a big fan since. I've heard many of her songs and when we heard she was coming to ATL, I knew this is one show my wife could not miss. And was I glad we went because her show far exceeded my expectations! The house was packed, you could feel the excitement and the crowd danced and sang from start to finish. Speaking of dancing, Santi had two backup singer/dancers who were amazingly energetic and kept the party rocking! She also brought fans up on stage on a couple of songs for a dance-off and later for an on-stage dance fest. I'm sure the security people were a little stressed, but it was cool seeing her bring so many of her fans on stage to sing and dance with her. Such a fun show and my wife is looking at her tour schedule to travel to see her again before her tour ends this fall!
An amazing performer! She puts on a whole show with dancing to her songs and keeping her voice studio quality. Loved the interaction with the crowd. 10/10. Will definitely go see her the next time she's in town.
I knew she'd be awesome, but she exceeded my expectations by far by playing songs from her mixedtapes, some originals, and pulling out her guitar. She's truly talented with her music representing many different genres bringing life to each one of them in their own unique way. Her live performance showcased that! Can't wait until she comes around again.
Excellent set by one of the most influencial artists of the 2000s. She definitely is a vocal and performance powerhouse
Awesome concert!! I will definitely go see her again we had a blast!
I've wanted to see Santigold live for forever, and this was the perfect oppurtunity. Great set, great sound and lights, and just an incredible performance from Santigold herself. My favorite concert I've ever been to
To be clear, I don't think Santigold and her band did anything wrong, but this show was weirdly not very good. I think the sound mix was just uncharacteristically low and the music didn't fill up the space very well. The result of that was the crowd being kinda low energy, which I think the band was picking up on and struggling to work with. I know Santi was having monitoring issues, too, so it seems like the sound people at Big Night were having an off night or something. I bring ear plugs to every show, but the volume was so low that I'd have to pull out the plugs between songs to hear what Santi was saying. Eventually I decided that the volume was so low that I didn't need the ear plugs at all during songs, something I never do at concerts. I also watched a surprising amount of people leave mid-way through. I've seen Santigold before, so I know she's good, but the vibe of this show was just way off
If you like Santigold's mix of musical genres she really delivered. Not a very showy stage show, but great energy and engagement with the crowd even though she was under the weather. Everyone had a wonderful time together at the concert, both band and fans.
Drove up from NC and had low expectations. Always liked Santigold, but I was BLOWN AWAY by her voice despite her being sick according to her. Beers were quick but expensive, but we already expected expensive. I wish venues somewhere would solve tall ppl coming in late and going up front, but that’s I guess a million dollar idea… a couple came in a few songs in and plopped RIGHT in front of us. They both were taller than our whole group and everyone near us. I would’ve loved if they were just loving the music and mega fans, but they were just talking about their day and googling things versus enjoying the show, while keeping us from enjoying the show. Other than that it ROCKED