A magical evening
by JG on 9/29/24History - TorontoA true talent. Her voice still sounds just as good as in the 90s. Great stage performance.
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From the outset of her career, the work of PJ Harvey has commanded attention. A multi-instrumentalist, she is primarily a vocalist, guitarist, and pianist.
In 1991, Harvey formed the eponymous bass/drums/guitar trio in Dorset, England, and by that autumn had released the debut single 'Dress' on independent label Too Pure. Dry, released in March 1992, was hailed globally as an astonishing debut album, particularly in the United States, where Rolling Stone magazine named Harvey 'Best Songwriter' and 'Best New Female Singer' of 1992.
In 1993, she signed to Island Records and released her second album Rid Of Me. The album, supported by a lengthy world tour, brought Harvey her first Mercury Music Prize nomination. The original trio dissolved, and Harvey's solo follow-up, 4-Track Demos, was released in the autumn of 1993.
To Bring You My Love, an eclectic and starkly original album followed in 1995, and was accompanied by live performances that saw Harvey explore a more theatrical edge on stage. She received her second Mercury Music Prize nomination, two Grammy Award nominations, and 'Artist of the Year' awards from both Rolling Stone and Spin.
Her fourth album Is This Desire? released in September 1998, attracted plaudits globally, gaining several BRIT and Grammy Award nominations. The much anticipated follow-up, Stories From The City, Stories From The Sea, was released in October 2000 and went on to win Harvey's first Mercury Music Prize. 'Stories...' was supported by a sold-out worldwide tour. After a summer of live dates, including the first rock concert to be held at London's Tate Modern gallery, Harvey finished work on her next album, Uh Huh Her.
White Chalk was her critically-acclaimed seventh studio album, which marked a departure as it was composed almost entirely on piano. It was supported by a string of notable solo performances including Manchester International Festival, The Royal Festival Hall, the Hay-On-Wye Festival of Literature, the New Yorker Festival, Sydney Opera House, and a performance at Copenhagen Opera House for the Crown Prince couple.
In 2006 PJ Harvey: The Peel Sessions was released - a collection of recordings for the veteran British broadcaster John Peel, spanning her career to date.
Harvey's 2011 album, Let England Shake, was created with long-standing collaborators Flood, John Parish, and Mick Harvey. The songs focus on both her home country and events further afield in which it has embroiled itself. The record evokes the troubled spirit of its time, whilst also looking back through our history. Let England Shake won Harvey her second Mercury Music Prize, setting her apart as the only artist to have won the award on two occasions, an achievement recognised by The Guinness Book Of Records. The album was also awarded 'Album of the Year' at the 2012 Ivor Novello Awards and was named '#1 Album of the Year' by numerous publications including The Sunday Times, Los Angeles Times, Mojo, Uncut, Washington Post, The Guardian, NME, Spin, Sydney Morning Herald, Le Matin, OOR Magazine, Irish Times, The Independent, and The Sunday Telegraph. Prior to the album's release, in May 2010, Harvey made a guest appearance on BBC1's Andrew Marr Show, the week before the UK General Election. She was interviewed by Marr and performed the song 'Let England Shake' in front of Marr's other guest, the then Prime Minister, Gordon Brown. She was invited back on the show in April 2011 alongside Brown's successor, Prime Minister David Cameron, and performed the song 'The Last Living Rose'.
Let England Shake was accompanied by 12 short films by award-winning photojournalist Seamus Murphy. Murphy, with whom Harvey began working in 2011, has spent over two decades documenting the world through his lens. His work has taken him to Rwanda, Eritrea, Kosovo, Iran, Afghanistan, Iraq, and Syria.
Harvey's work with Murphy continued over subsequent years, with the pair accompanying each other on trips to Kosovo, Afghanistan, and Washington D.C. This unique artistic, journalistic, and photographic journey became Harvey's ninth studio album, The Hope Six Demolition Project. In early 2015, the album was recorded during a month-long unique residency called 'Recording in Progress' at London's Somerset House, during which audiences were given the opportunity to observe Harvey at work with her band and producers in a purpose-built studio housed in the basement of the iconic London building. The Hope Six Demolition Project was released in April 2016 and became Harvey's first UK number 1 album.
In 2019 Harvey released her first original theatrical score album, All About Eve, via Invada Records & Lakeshore Records. The 12-track album contains 10 original pieces of instrumental music as well as two new songs written by Harvey and sung by Gillian Anderson and Lily James. Harvey's score for All About Eve is performed by herself, James Johnston, and Kenrick Rowe, and uses Franz Liszt's 'Liebestraume' (a musical element of Joseph L. Mankiewicz's original 1950s classic film) as a musical touchstone, exploring the more somber and deeply psychological aspects of the story.
2020 saw the start of a comprehensive reissue campaign which saw PJ Harvey's entire back catalogue - plus her two albums in collaboration with John Parish - reissued on vinyl over the course of 12 months. For the first time, each of PJ Harvey's album demos were also made available as stand-alone albums on vinyl, CD and digital.
In the summer of 2023 PJ Harvey released her tenth studio album, I Inside the Old Year Dying, via Partisan Records. Co-produced by Flood and John Parish the album was nominated in the Best Alternative Album category at the 2024 Grammy Awards. Soon after its release she toured the UK and Europe, with her bandmates John Parish, Jean-Marc Butty, Giovanni Ferrario, and James Johnston. To develop the live show she worked with director Ian Rickson, who had also directed the live shows for the Let England Shake and the Hope Six tours.
COLLABORATIONS:
PJ Harvey has collaborated with a wide range of musicians, including Thom Yorke, Nick Cave, Tricky, Sparklehorse, Josh Homme, John Parish, Pascal Comelade, Gordon Gano, Ramy Essam and Mark Lanegan. She also wrote, recorded & produced material for Marianne Faithfull's 2004 album 'Before The Poison'.
In 1996 she worked with John Parish on Dance Hall At Louse Point, both an album and a live accompaniment to the Mark Bruce Dance Company production of the same name. The follow-up collaboration with Parish, entitled A Woman A Man Walked By, was released in 2009 ahead of an extensive tour of Europe and America. The video for the first single, 'Black Hearted Love', was directed by the acclaimed British artists Jake & Dinos Chapman.
Her work with photographer Seamus Murphy has seen them collaborate on two albums: Let England Shake and The Hope Six Demolition Project, as well as Harvey's debut book of poems, The Hollow of the Hand and the feature-length documentary A Dog Called Money.
COMPOSITION, SCORING AND ACTING:
Harvey has composed extensive soundtracks for film and television, in 1994, covering 'The Ballad of the Soldier's Wife' for the documentary 'September Songs: The Music of Kurt Weill', and in 1996, contributing 'This Is Mine' with Nick Bicat for Coky Giedroyc's film, 'Stella Does Tricks' and 'Who Will Love Me Now', again with Bicat for Philip Ridley's 'The Passion of Darkly Noon'.
In 2009, Harvey composed the soundtrack for renowned director Ian Rickson's New York production of 'Hedda Gabler'. They worked together again in 2011 on the music for Ophelia in 'Hamlet' at the Young Vic, starring Michael Sheen, and for his highly acclaimed 2014 production of 'Electra' at The Old Vic starring Kristin Scott Thomas. She also scored Rickson's "The Nest," as well as "The Goat" starring Damian Lewis. In 2024 Harvey's original score with songs co-written by playwright Ben Power will feature in Rickson's 'London Tide', produced and presented by The National Theatre.
In 2019, Harvey was commissioned to score Ivo Van Hove's West End production of 'All About Eve,' starring Gillian Anderson and Lily James. Her artistic process on this and previous scores was documented by BBC Radio 4 journalist Jon Wilson, as part of the BBC's highly respected 'Behind the Scenes' series.
Harvey contributed original music for the BBC's 'Peaky Blinders' Series 2, starring Cillian Murphy, and the radio drama productions, 'Eurydice and Orpheus' by Simon Armitage and 'Orpheus and Eurydice' by Linda Marshall Griffiths. Other projects have included soundtrack work on the films 'Basquiat' by Julian Schnabel, 'The Cradle Will Rock' by Tim Robbins, 'What's This Film Called Love' by Mark Cousins, Sarah Miles' 'Amaeru Fallout 1972', which she also appeared in, 'Dark River' by Clio Barnard, and 'Six Feet Under'. Her tracks, 'Horses' and 'Bobby Don't Steal' featured in Mark Cousins' 2012 film, 'What's This Film Called Love'. Original music by Harvey features in Shane Meadows' 2019 drama series, 'The Virtues,' including the end credits song "The Crowded Cell." Harvey also co-wrote the music to Sharon Horgan's 2023 series 'Bad Sisters' with composer Tim Phillips, including the theme song, a cover of Leonard Cohen's "Who By Fire". They also co-composed the music for the show's second series.
As an actor, Harvey appeared in the 1990 film, 'Lost in the Stars' and as Mary Magdalene in Hal Hartley's movie 'The Book of Life' in 1998. She also had a cameo appearance in Sarah Miles' 1999 film, 'A Bunny Girl's Tale'.
ART:
In addition to her musical career, Harvey paints, draws and creates sculptures. Summer 2010 saw Harvey guest design Francis Ford Coppola's art & literary magazine; Zoetrope: All-Story. The issue featured her previously unseen paintings, sculpture and drawings. She contributed artwork to Beat Magazine in 2015 and a photo montage she created appeared in Vogue Australia in 2016. She continues to paint and draw, and some of her latest work will be released in the special edition of her new poetry collection.
OTHER NOTABLE PROJECTS:
In August 2013, PJ Harvey released the song, 'Shaker Aamer', to highlight the detention of the then last British resident held without trial inside the US prison at Guantanamo Bay. The track was streamed exclusively on The Guardian's website and received positive worldwide attention. Aamer was eventually released two years later in October 2015.
In June 2017, PJ Harvey collaborated with Egyptian recording artist Ramy Essam, and producer John Parish, to write and record 'The Camp.' The song was created to raise awareness and funding for The Beyond Association, a national Lebanese NGO. Beyond's work provides access to education, healthcare, and psycho-social support for displaced children in the Beqaa Valley of Lebanon.
In 2008, Harvey appeared on 'Private Passions' on Radio 3. She was a guest editor on BBC Radio 4's Today Programme in December 2013, and in 2017, Radio 4 broadcasted a 15-minute drama, 'On Kosovo Field', inspired by PJ Harvey's notebooks and poetry from her travels in Kosovo, written by Fin Kennedy.
POETRY:
PJ Harvey's first collection of poetry titled The Hollow of the Hand, in collaboration with photographer Seamus Murphy, was published by Bloomsbury UK in October 2015. To celebrate the release, Harvey and Murphy presented The Hollow of the Hand - two sold-out live events of poems, new songs, images and conversation at the Royal Festival Hall - as part of the London Literature Festival. Her poem, The Guest Room, was first published in The New Yorker in 2015.
On 4th November 2015, PJ Harvey appeared alongside Irish poet Paul Muldoon in a new experimental series of 'In Conversation' style evenings called 'Soundings at the Byre', created by the University of St. Andrews' new International Writer in Residence, Reif Larsen, and Professor of English, Don Paterson.
PJ Harvey continues to study poetry under the tutelage of friend, mentor and editor Don Paterson. Harvey's second book of poetry, Orlam, a beautiful and profound narrative poem set in a magic realist version of the West Country, was published in Picador Poetry hardback format on 28th April 2022.
A special edition incorporating Harvey's own illustrative artwork followed in October 2022'. Orlam is not only a remarkable coming-of-age tale, but the first full-length book written in the Dorset dialect for many decades. Harvey undertook a headline and Literary Festival tour of Orlam across 2022 and 2023, during which she also engaged in 'In Conversation' discussions with several hosts including Max Porter, Frank Skinner, and Amanda Petrusich.
AWARDS AND RECOGNITION:
In 2013, Harvey was awarded an MBE for services to music. The following year, she was awarded an Honorary Degree in Music by Goldsmiths, University of London. She has been nominated for eight Grammy Awards, eight BRIT Awards, and is the only artist in history to have won the Mercury Music Prize twice.
A true talent. Her voice still sounds just as good as in the 90s. Great stage performance.
Such an amazing performance., PJ is not one to be missed. The History was such a great venue so it made the show feel even more intimate ??
Possibly the best concert of my life. Sound was amazing, and the atmosphere was great. PJ was incredible. But I didn't anticipate that the show would start punctually at 8 p.m. on the dot. Arrived at 8:10 expecting a show opener to be on... No, PJ was already on stage. So, lesson learned.
J’adore PJ Harvey !!! Une voix sublime, un début tout en douceur, théatral puis une fin plus rock comme j’aime ??
Vocal talent, poetic, philosophical, controversial lyrics, image of a woman as a replica of nature, strongly and resonantly chanted out, made an evening with PJ Harvey delicious, unforgettable, spiritual, mind blowing. Divided into two parts the show presented PJ as we knew her from the past, and are about to know her now. The first segment responded to the artist's new album "I inside the Old Year Dying". Inspired by her epic poem "Orlam", the record is unique, like everything in PJ's artistic career. As she promised to never repeat herself, new music and poetry wrestle the patterns and lifestyles mankind established for today to follow while escaping the paradise. Linked up with sounds echoing nature's voices similar to latter Kate Bush's music imagination, all songs came the way the track list is set on this album ("Prayer at the Gate", "Autumn Term", "Lonesome Tonight", "Seem an I", "The Nether-edge", "I Inside the Old Year Dying", "All Souls", "A Child's Question, August", "I Inside the Old I Dying", "August", "A Child's Question, July", "A Noiseless Noise"). In an epilog, PJ Harvey's band - John Parish (guitars, keyboards, backing vocal), James Johnston (guitar, violin, keyboards, backing vocal), Giovanni Ferrario (guitars, keyboards, backing vocal), Jean-Marc Butty (drums, backing vocals) - performed instrumental "The Colour of the Earth", addressed to all who are tender to our Planet. The second part of the concert recalled "good old Polly". Her hits boogied around and added a general feel of "c'est magnifique” to the artist's main idea. "The Glorious Land", "The Words That Maketh Murder", "Angelene", "Send His Love to Me", "The Garden", "The Desperate Kingdom of Love", "Man-Size", "Dress", "Down by the Water", "To Bring You My Love", and "C'mon Billy", "White Chalk"in an Encore, made for stories about women's expectations concerning their roles in men's made society. If given the well deserved help, love, religious and political advancement, justified reforms, in return they would commit everything of themselves, including positive impact on restoring the lost paradise. If voided, women would bring an end to everything
I thought I was our sharing probably the best ticket in the Place Bell. Nowhere was told that there would be an obstructed view. Luckily an employee of the Place Bell, offered us another seating on the floor but the view would have been so great if it wasn’t for the long curtain on right side of the stage. PJ Harvey offered us a great performance. The sound of the mic was great. More interaction with the crowd would have been appreciated.
Awesome show. She is a super-talented musician/artist/performer.
Awesome show, both recent works and older material. Good venue management but ticketmaster change my seat. Since i am partially handicaped the new seat was not appreciated Why are we allowed to choose seats if Ticketmaster can change it. And i had no phone call or email prior to the show, i was just stopped at the entrance and handled a new ticket. Poor management!
Pj is a pro, she never disappoints ?? first time at place bell, sound was awesome!!
Worse crowd ever. Horrific sound quality. Atrocious venue. Stellar performance from PJ and her band that saved the night.