This was my first exposure to this dance project now in its third season. This effort is to be applauded; the concept is vital and should be supported and sustained. The exploration of gender and masculinity through dance is unquestionably valid and creates one way for dance to be relevant to and attract younger audiences while also giving older audiences fresh perspectives. The inter-American aspect also is a positive element for two reasons: it makes sense for South Florida; it also brings a wider vision to the appreciation of dance. The quality of choreography and dancers’ competence in this program was uneven, but I do not see that as a serious flaw. Rather, it was a consequence of a perfectly legitimate effort to seek diverse visions (applicable to modern ballet and dance and popular forms) and to include less experienced dancers for the benefit of their professional development. It was part of the growing pains of this young venture. I appreciated the fact that the pieces were short: that added to the sense of experimentation, of suggestion of new possibilities; and it helped the viewer to focus more intently on what each piece was intending to say. Though not part of the dance program itself, I also appreciated that this project is trying to promote a regional vision of arts planning and funding. That is to be commended. I am looking forward to next year. Because I attend a variety of other dance programs in South Florida during the year, I now am looking forward to those performances from the new perspectives created by “Men Who Dance.”